Looking at a diverse range of texts including Marilyn Frenchs The Womens Room, Philip Roths Patrimony, the writings of Walter Benjamin and Fredric Jameson, and films such as Cinema Paradiso, Susannah Radstone argues that though time has been foregrounded
Acknowledgements Introducing Time 1. On Confession 2. Confession, time and sexual difference 3. The (Sexual) Politics of Nostalgia 4. Film theory, masculinity and mourning 5. Remembering Ourselves Bibliography